Polynesian mythology

Who is Tane? Guide to the Polynesian God of Forests

Tane is the Polynesian god of forests, of birds, of trees, and of light. In Maori tradition he is one of the great sons of the primordial parents Rangi (sky father) and Papa (earth mother), and it was he who pushed them apart to let light into the world where his siblings had been trapped between them. He is honoured across Polynesian traditions - Maori, Hawaiian, Tahitian, Marquesan - though details vary regionally. His domain, the forest, is one of the two great Polynesian realms (with the sea) that everything the tradition considers sacred emerges from. Tane is what Polynesian tradition kept as its representation of what growth is: a force that pushes up between what was pressed together, and lets in the light.

Key Takeaways

  • Tane (also Kane in Hawaiian tradition, Ta’aroa’s son in some Tahitian accounts) is a major Polynesian deity of forests, trees, birds, and light.
  • In Maori tradition, he is one of the sons of the primordial parents Rangi (sky father) and Papa (earth mother); it was Tane who successfully separated them after many failed attempts.
  • Before Tane’s separation of his parents, the world was in complete darkness - his siblings were trapped in the narrow space between their embracing parents. His act of pushing them apart made the world habitable.
  • He is the father of trees and birds in Maori tradition, and the parent (with his brothers) of the natural world’s living forms.
  • He created the first woman, Hine-ahu-one, from red clay of the earth, in one of the tradition’s most beloved creation stories.
  • In Hawaiian tradition (where he is called Kane), he is one of the four great gods (with Ku, Lono, and Kanaloa) and associated with fresh water, sunlight, and creation.
  • The pattern of separating sky and earth to create the world is found across Polynesia, though the details of who separates them and how vary by tradition.

Who is Tane?

Tane is one of the great gods of Polynesian religion, associated with forests, trees, birds, and (in his role in the primordial separation) with the light that fills the world.

Definition - Tane

The Polynesian god of forests, trees, birds, and light. In Maori tradition, Tane is one of the sons of the sky-father Rangi and earth-mother Papa, and it was he who successfully separated them. In Hawaiian tradition he is called Kane and is one of the four great gods.

His name is spelled the same in most Polynesian languages, though pronunciation varies. The Hawaiian form is Kane, with a k replacing the t by regular sound change (a distinctive feature of Hawaiian, which lacks t in most positions). Both Tane and Kane derive from the same Proto-Polynesian source.

The tradition of Tane is preserved most fully in Maori accounts, but versions of his story appear in most Polynesian cultures.

The separation of Rangi and Papa

The most consequential Tane story is the separation of his parents.

Rangi (sky father) and Papa (earth mother) had been locked in a tight embrace since the beginning of the world. Between them, in the narrow, dark space, their children were trapped. There was no light. There was no room to move. The children could only crouch in the darkness against the two great bodies of their parents.

The children grew unhappy with this. They discussed what to do. Tumatauenga, the god of war, wanted to kill their parents. Tane, the god of forests, argued for a different solution: they should push their parents apart, so that Rangi would be far above them (the sky) and Papa would be beneath them (the earth), and there would be room in between for light and life.

The other children agreed with Tane. Each of them tried to push Rangi and Papa apart. Rongo, the god of cultivated food, tried and failed. Tangaroa, the god of the sea, tried and failed. Haumia and Tumatauenga tried and failed. Finally Tane himself tried. He lay on his back with his feet against Rangi and his shoulders against Papa. He pushed with all his strength. Slowly, slowly, Rangi lifted away.

Light entered the world for the first time. Papa lay on the ground below. Rangi rose to become the sky above. The children scattered across the newly formed world. But Rangi and Papa still grieved for each other. Rangi’s tears are the rain that falls from the sky to the earth. Papa’s sighs are the mist that rises from the ground toward the sky. Read Rangi and Papa and Tane separating sky and earth.

Not all Tane’s brothers accepted the separation. Tawhirimatea, the god of storms, was angry at Tane for parting their parents. He fled to the sky to live with Rangi and has waged war on Tane’s forests ever since - which is why storms tear at trees.

Tane as father of forests and birds

After the separation, Tane began to populate his domain. He fathered the trees, from which came the birds. In Maori tradition, the various trees are Tane’s children by different mothers - each tree species has its own genealogy tracing back to Tane. The birds are also his, born from the trees themselves.

Tane is often honoured as Tane Mahuta, “Tane of the forests.” The largest known living kauri tree in New Zealand, in the Waipoua Forest of Northland, is named Tane Mahuta after him.

The Maori tradition preserves specific reverence for Tane in forestry practices. Trees taken for canoes, houses, or other purposes traditionally required specific ritual acknowledgement of Tane. The felling of a great tree was a sacred act, not merely a practical one.

Tane creates the first woman

Tane also created the first woman.

In one Maori tradition, Tane tried many times to create a wife for himself. He mated with various natural forms - the maunga (mountains), the wai (waters), and other elements of the natural world - and produced only strange offspring: reptiles, fish, plants. None was human.

Finally, at his mother Papa’s suggestion, he shaped a woman from the red clay of the earth at the beach of Kurawaka. He called her Hine-ahu-one, “the woman formed from earth.” He breathed life into her. She lived. She and Tane had a daughter, Hine-titama, who eventually became Hine-nui-te-po - the goddess of death, the same goddess who later crushed Maui in his attempt to win immortality.

The story is one of the great creation narratives of Maori tradition. It preserves several distinctively Polynesian elements: the making of humans from red earth, the female origin of what becomes the underworld deity, and the intimate connection between creation and mortality.

Tane compared to other sky-earth-separator figures

The separation of sky and earth by a third figure is a widespread mythological pattern.

TraditionSeparatorSkyEarth
Polynesian (Maori)TaneRangiPapa
EgyptianShuNutGeb
SumerianEnlilAnKi
ChinesePanguSkyEarth
ZuniThe Twin Gods(Various)(Various)
Greek(Cronus castrates Uranus, not separates)UranusGaia

The Egyptian parallel is close - Shu separates his parents Nut (sky) and Geb (earth) in the same essential act as Tane. The two traditions were not in contact, so the pattern must be an independent development of the same imaginative response to the basic cosmological question of why the sky is above and the earth below. The Polynesian version, with its emphasis on light being let in for the first time, is one of the most narratively developed.

Read the stories

Tane appears throughout Polynesian tradition. Some entry points:

Tane is what the Polynesian tradition kept as its most positive creation figure. He pushed his own parents apart to let his siblings have space to live. He fathered the trees and the birds. He made the first woman from red earth. His work is visible everywhere in the Polynesian natural world - in every forest, every bird’s flight, every fall of rain (which is his father’s tears). The tradition preserves him not as distant creator but as a specific ancestor whose acts are still shaping the world humans live in.

Frequently Asked Questions

Who is Tane?

Tane is a major Polynesian deity, associated with forests, trees, birds, and light. In Maori tradition he is one of the sons of the primordial parents Rangi (sky father) and Papa (earth mother). His most famous act is separating his parents to let light and space into the world where his siblings had been trapped. In Hawaiian tradition he is called Kane and is one of the four great gods.

How did Tane separate his parents?

In the Maori tradition, Rangi (sky father) and Papa (earth mother) had been locked in a tight embrace since the beginning of the world, with their children trapped in darkness between them. The children tried to separate their parents. Several of Tane’s brothers tried and failed. Finally Tane lay on his back, put his feet against Rangi and his shoulders against Papa, and pushed. Rangi lifted away to become the sky, Papa remained as the earth, and light entered the world.

Who is Tane in Hawaiian tradition?

Kane is the Hawaiian form of Tane, with the sound change from t to k that is characteristic of Hawaiian. Kane is one of the four great Hawaiian gods (with Ku, Lono, and Kanaloa). He is associated with fresh water, sunlight, creation, and forests. Though the details vary, the underlying deity is the same as the Maori Tane.

How did Tane create the first woman?

In Maori tradition, Tane wanted a wife but could not find a suitable one among the various natural forms he mated with (which produced only strange offspring - reptiles, fish, plants). Finally, at his mother Papa’s suggestion, he shaped a woman from the red clay of the earth at the beach of Kurawaka. He called her Hine-ahu-one, “the woman formed from earth.” He breathed life into her. She became the ancestress of humanity.

What is Tane Mahuta?

Tane Mahuta means “Tane of the forests.” It is one of Tane’s titles in Maori tradition. It is also the name of the largest known living kauri tree in New Zealand, in the Waipoua Forest of Northland - named in the god’s honour. The tree is treated as a sacred site.

Why is there rain?

In Maori tradition, rain is the tears of Rangi (sky father) falling for his separated wife Papa (earth mother). Mist rising from the ground is Papa’s sighs rising toward Rangi. The two remain forever separated by Tane’s act, but their love continues to be expressed in the moisture that moves between them.